Landscape. Study after Nature 1876
Cezanne, Paul: Landscapes
Paul Cezanne was
a post-impressionist painter who created the bridge between impressionism and
cubism,;
and is said to be
the artistic
father of both Matisse and
Picasso. Although he was dissuaded;
by his father at an early age to pursue his passions in painting, he
left his hometown of Provence for Paris,; in 1861. It was there that he met
Camille Pisarro>
a popular impressionist painter,
who served as his mentor and guide. He began painting in the impressionistic
style, but later began;
to structurally order what he saw and painted into simple forms and
planes of color.;
He also began to simplify the forms he painted into shapes, such as a
tree into a column. Unlike many of the painters of his day,;
who focused on one or maybe two subject styles, Cezanne concentrated
on still lifes, portraits, landscapes, and
nude studies
Study: Landscape at Auvers
Jas de Buffan, The Pool c. 1876 (150
Kb); The Hermitage, St. Petersburg; No. 3KP 530. Formerly collection Otto Krebs,
Holzdorf
Maisons au bord d'une route 1881 (130 Kb);
"Houses Along a Road" The Hermitage, St. Petersburg; Formerly collection Otto
Krebs, Holzdorf
Route tournante a La Roche-Guyon (A Turn in the Road at
La Roche-Guyon)
1885 (120 Kb); Smith College Museum of Art, Northampton,
MA; enturi no. 441
Gardanne
1885-86 (130
Kb); The Barnes Foundation, Merion, Pennsylvania
Gardanne
1885-86 (170
Kb); The Brooklyn Museum, NY; Venturi no. 431
Montagnes en Provence (Mountains in
Provence)
1886-90 (140 Kb); National Gallery,London; Venturi no.
491
Road at
Chantilly
Maison et ferme du Jas de Bouffan (House and Farm at Jas
de Bouffan)
1889-90 (140 Kb); Narodni
Galerie, Prague; Venturi no. 460
Maison et arbres
1890-94 (160
Kb); The Barnes Foundation, Merion,Pennsylvania
Well: Millstone and Cistern Under Trees (Meule et
citerne sous bois)
1892 (170 Kb); Oil on canvas, 65 x 81 cm(25 5/8 x 31 7/8
in); The Barnes Foundation, Merion, Pennsylvania,
Le lac
d'Annecy (Lake Annecy)
1896 (190 Kb); Oil on Canvas, 64.2 x 79.1 cm (25 1/4 x
31 1/8 in); Venturi 762; Courtauld Institute Galleries, London
Foliage
1895-1900 (150
Kb); Watercolor and pencil on paper, The Museum of Modern Art, New
York
Woods with
Millstone
Turning Road at Montgeroult
Houses on the Hill (River Bank)
1900-06 (100
Kb); McNay Art Institute, San Antonio, TX
Morning in Provence (Sous-Bois Provencal)
1900-06 (130
Kb); Albright-Knox Art Gallery, Buffalo, NY
Bend in Road
1900-06 (160
Kb); Private Collection; Venturi 790
Bend in Forest Road
1902-06 (200
Kb); Collection Dr. Ruth Bakwin, New York; Venturi 789
Bords d'une riviere (Riverbanks)
1904-05 (180 Kb); Private collection, Switzerland;
Venturi no. 771
Le Cabanon de Jourdan
1906 (190 Kb);
Collection Riccardo Jucker, Milan; Venturi 805
The House with Cracked Walls
Etude: Paysage a Auvers (Study: Landscape at
Auvers);The bend in the road (1905)
완성기를 대표하는 작품, 후기 인상파가 아닌 Cubism 으로 분류
